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26
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95
56.79 €
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Orchestra
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
40.06 €
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Orchestra
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
12.44 €
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Orchestra
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Showtime!
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1270415 By Danny Elfman. By Dan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1270415 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 67 pages. Patrick Sheehan #862812. Published by Patrick Sheehan (A0.1270415). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Contrabass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Crash Cymbals, Triangle, Claves, Xylophone, Calliope I, Calliope II, Celesta, Piano, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.59 €
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Orchestra
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Danny Elfman
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rock selections
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Showtime!
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Patrick Sheehan
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SheetMusicPlus
Alexander's Ragtime Band
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.734138 Composed by Irving Berli…
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Full Orchestra - Level 4 - Digital Download SKU: A0.734138 Composed by Irving Berlin. Arranged by Daryl McKenzie. Broadway,Jazz,Musical/Show,Ragtime,Standards. Score and parts. 136 pages. Daryl McKenzie #6495843. Published by Daryl McKenzie (A0.734138). Alexander's Ragtime Band arranged in the style of Liza Minnelli for female vocal with Pops Orchestra. Key of C at start then modulates to Ab in the verse, A major then finishes in Bb major. Voice, Pops Orchestra (2Fl, 2Ob, 2Cl, 2Bsn, 5 saxes with clarinet double on 2nd Tenor part, 4 F Hns, 4 Trumpets, 4 Trombones, Tuba, Piano, Synth (Strings), Guitar, Bass, Drums, Tymp, Percussion, Harp, Vln1, Vln2, Vla, Vcl, CB). Great concert item!Note: Saxes are optional and can substitute for Orchestral Winds (i.e. Big Band with Strings)Big Band arrangement also available.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128?aff_id=674845
$89.99
83.85 €
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Orchestra
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Irving Berlin
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Alexander's Ragtime Band
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Daryl McKenzie
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SheetMusicPlus
Maybe This Time
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.718645 Composed by John Kander.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718645 Composed by John Kander. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. Score and parts. 67 pages. Daryl McKenzie #6477677. Published by Daryl McKenzie (A0.718645). Arranged for Female Vocal and Pops Orchestra (2 Fl, 2 Ob, 1 Cl, 1Cl/BCl, 2 Bsn, 4 F Hns, 3 Trpts, 3 Trbs, Tuba, Perc., Timps, Vibes, Piano, Guitar, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB). Key of Gb with Key change to G which is Down a Tone from the Liza Minelli version found on The Collection https://www.amazon.com/Liza-Minnelli-Collection/dp/B000006UFD.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$79.99
74.53 €
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Orchestra
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John Kander
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Maybe This Time
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Daryl McKenzie
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SheetMusicPlus
The Western New York Trombone Concerto
Orchestra
Full Orchestra - Digital Download SKU: A0.933829 Composed by William Pagan-Perez. C…
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Full Orchestra - Digital Download SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Published by William Pagan-Perez (A0.933829). The Western New York Trombone Concerto (For Trombone and Symphony Orchestra)  I. Arriving to Cheektowaga on 2017 II. The Lights of the Niagara Falls III. Tonawanda’s Rhapsody 2018 The Western New York Trombone Concerto was inspired in real life experiences, in the smell, the food, the scenic views, and the great personal relationships of the composer during his first year living in the City of the Good Neighbors (Buffalo, NY). More than have a traditional virtuoso solo music featuring fast and extreme technical phrases, this concerto wants to introduce the trombone as a melodic instrument for those beginner listeners that are discovering the trombone for the first time. The concerto has colorful sticky melodies and exciting rhythmic patterns to produces a great experience to the listener.
$125.00
116.47 €
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Orchestra
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William Pagan-Perez
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The Western New York Trombone Concerto
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William Pagan-Perez
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
37.26 €
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Orchestra
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Concerto for Alto Saxophone and Orchestra - score and parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.872625 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872625 Composed by Philip Orem. Contemporary. Score and parts. 295 pages. Philip Orem #3546297. Published by Philip Orem (A0.872625). This is a dramatic work for alto saxophone and orchestra featured on the CD, Concerto, released by Roven Records and available on iTunes. The concerto is in three movements that segue onto each other and is a reflection on Mary Oliver's poem, When Death Comes. The first movement is dark, at times mysterious at others forceful, the second more contemplative while the last is a joyful romp.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$350.00
326.13 €
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Orchestra
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Philip Orem
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Concerto for Alto Saxophone and Orchestra - score and parts
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Philip Orem
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SheetMusicPlus
That's The Way (i Like It)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine…
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Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
46.59 €
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Orchestra
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K
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That's The Way
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Kevin Riley
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SheetMusicPlus
The American Seasons (violin solo part – violin and string orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.97 €
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Orchestra
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.98 €
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Orchestra
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Diehnelt: Striadica - A Symphonic Passage - SCORE
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
8.38 €
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Orchestra
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Kim Diehnelt
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Diehnelt: Striadica - A Symphonic Passage - SCORE
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Kim Diehnelt
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SheetMusicPlus
Autumn tableau
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.9 €
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Orchestra
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version
Orchestra
By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Fl…
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By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flavio Regis Cunha
"E Pi Ti Penso" ("The more I think of you" in English), alternatively titled "E Pi Ti Penso (from Once Upon a Time in America)" is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015).
$69.99
65.22 €
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Orchestra
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Andrea Bocelli And Ariana Grande
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E Più Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
149.09 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
80.12 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Yesterday
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.742588 By En Vogue. By Caroline…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 36 pages. Arte Nova Music Lab #6431889. Published by Arte Nova Music Lab (A0.742588). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. Yesterday was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.Taken from https://en.wikipedia.org/wiki/Yesterday_(Beatles_song)
$60.00
55.91 €
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Orchestra
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En Vogue
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Yesterday
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Arte Nova Music Lab
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.35 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.64 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
I Want To Hold Your Hand
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.742584 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584). I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand
$60.00
55.91 €
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Orchestra
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The Beatles
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I Want To Hold Your Hand
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Arte Nova Music Lab
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
37.27 €
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Orchestra
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
60.57 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.29 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Munamiktia - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99
93.17 €
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Orchestra
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Juan Guerra González
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Munamiktia - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
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